Let us begin this majestic single game saga with a potentially popular, but I’m sure, ultra polarizing opinion: “The Sandlot” is the greatest baseball movie of all time. And, “Field of Dreams” is probably number two – with, for me, “Moneyball” and “The Rookie” tied for third.
Now that that’s done with, it seems relevant although also, again, risky to say: this whole “Field of Dreams” gimmick represents a flamboyantly unprecedented new kind of cornball we deserve to enjoy and savor while still playfully mocking the breathless and repetitive improvised use of the performer’s ellipsis Kevin Costner extemporaneously dips into every other sentence during the slow burn introduction most all of us watching must find cloying, and still
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